Bullet Train To Vegas
Tuesday, July 26th, 2005Bullet Train To Vegas is an angular Southern California-based indie rock / post-hardcore band who mixes the
styles of well-respected acts like At the Drive-In, The Blood Brothers, and Q and Not U. The band put out
their debut EP Profile This in 2003 as well as a self-titled two-song 7″ in 2004 before signing with Nitro Records
INTERVIEW WITH BULLET TRAIN TO VEGAS
Interview by Carlo Gironi | carlo@staff.truepunk.com | with Dan Sena.
Hi there! How ya’ doin’?
I’m great.
Can you introduce the members of Bullet To Train Vegas and a story of how you got together? I know you’ve been together for some years by now.
I’m Dan and I sing and play guitar. Erik bailey plays guitar. Greg Horton plays bass, and Marty cornish plays drums. The band started as more of a project 3 years ago. It was about 6 months into it that I wanted to get serious and start touring. So I got a new line up and started touring.
Where did you get the name Bullet To Train Vegas from? It sounds weird that anyone would want to take a bullet train straight to Vegas, yet it’s original…
It is the name of a Drive Like Jehu song. A very big influence on me.
I know you are a band that plays post hardcore with moments of melodies. At the same time your music is very intimate, with catchy guitar riffs. Today this is a very over-populated music genre, don’t you think it is hard to be noticed by kids? Or do you just not care about what kids say?
I really don’t care what kids say when its negative. You have to realize you can’t make everyone happy. But what makes it worth it is those few kids that really appreciate and enjoy what you’re doing. That alone is reason enough to keep playing.
What would you consider as your biggest influences? Both musically, lyrically, whatever…
To name a few, Dinosaur Jr, Drive Like Jehu, Stone Roses, The Clash, Unbroken.
I know you worked with Alex Newport for your new record? How was it to work with him and how is he in the studio, did he give you lots of adivice? Also, how did you feel knowing he worked with At The Drive-In, and other bigger bands?
Alex was incredible. He’s a good friend. It was really productive working with him in the studio. He would let us know when something sounded wrong or right. There was nothing intimidating about him at all. At the drive in was a great band as with a lot of the other bands he’s worked with. That’s what made it so perfect to work with him.
How much long did it take to write and record all of the disc?
Well for me I had been writing songs for the record for 2 years before we recorded it. The line up changes is what held the record back. But it was a good thing because it forced me to keep writing songs until I had enough that I was happy with. We’re all happy with the results.
Do you consider yourself an emo or punk or hardcore band at all? What do you think of the music scene of nowadays?
I don’t really feel we fit into either of those genres. Although we all grew up with that scene in the early 90’s, there was so much more music I discovered since then that influenced my writing. As far as the scene goes, I think it definitely has become more corporatized. The diy ethic is almost non existent. I think a lot of bands these days have no soul. They have all have found a specific formula and are running with it. In other words the music is safe.There are only a couple bands nowadays that are really taking risks and suceeding because they believe in what they do. Our friends bands like pretty girls make graves and planes mistaken for stars are some to name a few.
How would you describe your band to a person that has never heard of you?
Well I would describe it as really noisy indy rock like fugazi, ink and dagger, and les savy fav.
What about your new lyrics? What do you sing about in general?
To be honest my lyrics are fairly abstract. But they are really just social comentary. They’re rooted in either personal experience or observation.
Is there a concept behind “We Put Scissors Where Our Mouths Are”?
I basically got the idea from a flyer I was going to design. It was to be a picture of george bush with a pair of scissors in place of his mouth. Its symbolic of the bush administration feeding the general public half truths and bits and pieces of information rather than telling people what is really going on.
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